In 2016, the museum commissioned Peter Saville, a designer with strong links to Manchester, to design a range of glassware celebrating Manchester’s three rivers and the dancefloor at the Haçienda.
The museum has links to Saville through a collection of objects and archives that tell the story of Factory Communications Ltd (FCL). FCL was the company that ran Factory Records, the Haçienda nightclub and Dry Bar. Saville’s first job on leaving college was to design a poster for Factory’s original club night at the Russell Club in Hulme. He became a director of the company and produced most of its iconic graphic design, developing a set of brand values that are still recognisable today.
To enhance the display of glassware in the museum shop, and to advertise to visitors that we own the FCL collection, the museum archive team has worked with the shop and exhibitions teams to put together a series of three mini-displays of archive material.
We wanted to highlight the hazard stripe theme of the glassware, so looked through the archive collection to find examples of similar designs. We thought it would be fun to link the glassware to food and drink at the Haçienda. In the archive are some early designs for cocktail menus that feature the hazard stripe design.
We also found a press release presented in a hazard stripe frame. The release talks about the introduction of cask conditioned bitter to the bar at the club, with the words “No more will clubbers have to settle for a lukewarm gaseous froth”. Anyone who prefers real ale to lager will understand what a momentous change this was.
We love the style of the Haçienda’s membership application form and the different membership cards issued by the club over the years. We think that the original membership cards that came in embossed sleeves were only issued to honorary members. Regular punters were usually given a temporary card, cut from the bottom of the application form, which is in keeping with the DIY punk ethos of the club.
The displays will run from the beginning of February to the end of May, changing once a month. For any Factory fans out there, this gives you three good reasons to come to the museum.
Putting the mini-displays together has been an interesting opportunity to promote one of the museum’s significant contemporary collections, and link Peter Saville’s current design work with his past work for Factory. It’s the first time the archive team have worked with the shop team, and we’re hoping that visitors will have as much enjoyment looking at the displays as we’ve had putting them together.
The FCL archive is available for anyone to look through. You can find out how to make an appointment to visit the archive here.